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Worrying about wordcount

An editor friend once told me to let a story be as long as it needs to be. Which is good advice in theory, but not always realistic when worrying about submission guidelines.

Short story calls tend to be in the range of 2,500-5,000 words, with 7500 words as an upper limit. Totally Bound, which is the publisher behind Capturing the Moment says that novellas start at 25,000 words and novels at 50,000. Other publishers say a novel is 75,000 or 80,000 words. Other wisdom holds that a novel is around 100,000 words.

In general I find that it is easier to trim a story than to lengthen it. Taking a story and trimming off all the tangents, the many times I use “just” as a filler word, and other bits here and there streamline the story. If you look at a writer like Malin James, every single word serves a purpose–there isn’t so much as a spare syllable.

However, when I sat down to write Capturing the Moment, it was with the explicit goal of writing a novella. That felt like stretching my writing muscles, as the longest thing I’d had professionally published at that point was a 5,000 word story. Writing 25,000 words wasn’t easy, and I had to keep asking myself what I could have them do within the guidelines of a 24 hour story (at the time I was writing to a specific call, but ended up going with a different publisher for personal reasons).

It took me eight months (with a big health related break) to get from the first word to submitting to a publisher.

Plunder began life as a short story in October or November of 2015. The characters wouldn’t leave me alone, so I started a novel. Unlike when I wrote Capturing the Moment, I didn’t have a specific publisher or call I was responding to. There was no exterior framing device to use. This was all on me, with the goal of at least 50k words, even as I knew 50k is often considered a long novella or a super short novel, but that was still twice the length of Capturing the Moment.

In the roughly two and a half years since, I wrote a first draft that almost killed me to get to 50k words. I felt desperate by the end of it, watching my word count slowly trickle upwards to that goal. I had a beta read and respond to it, and I began to mess around with it again at the end of last year, taking it from 50-75k words because I was then responding to questions I hadn’t answered, making things more obvious, and stregthening the weak spots that had been called out to me. I then sent it to several more people and a good friend who is also a sometimes editor of mine (Jessica Augustsson, owner of Jayhenge Publishing).

Jess asked several key questions that, along with my conversation with Beverly Jenkins, made me realize I hadn’t done anywhere near as much research as I should have for a historical.

Now I am back at the drawing board, and my writing is both ticking upward as I fill in gaps, fix historical errors, and shifting down as I trim the fat. As you could see in the top picture, my word count as of this minute is 77,003. At the end of today it could be 78,000 or 76,000, although my final goal for the book is in the 80-85k range.

Then I’ll send it back to Jess (I asked her to let me go through and fix the historical issues to the best of my ability) and we’ll see what happens then. At that point, though, the focus won’t really be on wordcount.

So what advice do I have?

My solution was to keep messing with their happiness. I think that’s probably lame advice, but it’s one of the pieces of advice I’ve always gone back to when struggling with my work. Oh, are they happy? How can I create a situation–interior or exterior–that will fuck with that.

What do I mean?

So in Plunder, one of my two MC’s is Bree, who is a young woman who grew up on her father’s ship, but was sent away to what was in effect an early finishing school. She’s leaving school and thinks she’s going to return to living on a ship when she learns that her father has arranged a marriage for her. When her ship is attacked by pirates, she negotiates with the captain for the safety of her crew. A night turns into a week, and she falls for him. Everything seems to be going well, and that could have been the end of the story. But I have him send her back to her father’s ship–an act with repercussions for the rest of the book.

In Capturing the Moment, I kept bringing in Meg and RJ’s past, because the relationship they’d had in college and just after had repercussions on how they interacted six years after their broken engagement. Eventually, they also needed to have a massive fight to deal with their past. Each time the past came up, it affected the present. By figuring out their past, it not only helped me understand where the story had to go, it affected word count.

Ultimately I don’t think there’s a magic bullet to deal with word count goals. If there was, I’d be producing stories at a much faster pace than I do. I think it’s a muscle that gets stronger as you practice your craft. I could write a novella because I’d grown strong muscles writing short stories. I can write a novel because I wrote a novella.

 

 

Thoughts on writing stories set in “exotic” Southeast Asian locations

As someone who lived in Asia for seven years and has written stories set in Asia, I have some thoughts about do’s and don’ts about doing so. I think some of this is applicable about writing about any location you are unfamiliar with, but I’m focusing on my former home.

Do’s

  • I hope this is an obvious one, but DO YOUR HOMEWORK. To use an example from the TV show “The Handmaid’s Tale”–in season two June spends some time hiding out in the former headquarters of The Boston Globe. She asks where she is and is told the Back Bay. Three seconds of Googling told me that the headquarters an in the financial district and the printing presses (which are in the story) were in Dorchester (another neighborhood in Boston) but have since been moved to Taunton (another town far away). The show is set somewhere in the mid 2000’s based on the soundclip they used of the Red Sox winning the World Series. This isn’t a detail that would’ve been hard to get right. The Back Bay is a district that is famous for it’s beautiful historic brick townhouses, and would never be knocked down for a building like that. Does them getting that detail wrong affect the story? No, but it’s irritating and could have easily been done correctly. Things like weather make a difference–Singapore is so humid that it feels like a slap across the face everytime you exit a building like a mall which is over air-conditioned.
  • As a follow up to doing homework–bookmark things you will need to refer to again. If your research doesn’t involve physical books (like my research for Plunder), bookmark websites and photos that inspire you. Or create a Pinterest board, if that’s your style. I’m using a mix of physical notes with topics and stars to indicate something that my research has inspired for my revisions. When I wrote Capturing the Moment I referred to not only my guidebooks and art research books (for info about the temples and their carvings) and my memories, I had a file of photos I took that were going to show up in the book whether as actual photos Meg took or just places that she and RJ would visit.
  • Try involve a local character, if you can do so without resorting to stereotypes (more on that later in the don’ts section). Singapore, from the outside, is a rigid country full of laws like no chewing gum (it’s actually more nuanced than that) with the death penalty for drugs (but moreso if you’re poor and not white–white people get deported for the most part, not executed) and is famous for canning Michael Fay in the 90’s for graffiti-ing (again, more nuanced than that). It’s anti-lgbt. BUT I have queer friends, including a drag queen. BUT I have a good friend who is an anti-death penalty activist and independent journalist. BUT there are plenty of parents who worry about the test culture. Make them a well-rounded person. They don’t have to be a main character, but they should be there (see Darany and Saroj in Capturing the Moment).
  • Do slip in some education. Details like Foreign Domestic Workers (FDW’s, more frequently colloquially called maids or helpers) in Singapore are women who are from poorer countries (the Philippines, India, Myanmar, and Indonesia) and often who have children of their own only have the right to go home for a week every two years. If they switch jobs, the clock resets and sometimes they request the money it would cost to send them home instead of actually going so they can send it home to pay for homes or education. These women take care of other people’s children while almost never seeing their own. I mention that temple children can’t afford to go to school for the most part, so the children who are riding their bikes and wave to Meg are the lucky ones in CTM. You can do this without being didactic.
  • Accept that you’ll fuck something up. I’m sure that an expat from Cambodia could rip apart parts of Capturing the Moment, and that a sailor will be able to rip apart parts of Plunder. Doing homework doesn’t mean you’ll get it 100% right. Aim for your mistakes to be smaller ones like the location of the Boston Globe and not a racist stereotype.

 

Don’ts

  • Try to refrain from the word “exotic.” It’s a word with a lot of loaded meaning and is offensive to many people. It defines the world as white and western, often American=normal, and everything else as foreign and something to gawk at. As an example, it is often applied to my elder daughter who is too dark to pass as white and not dark enough for people to accurately pinpoint the other side of her heritage as Indian. (Which in and of itself is a stereotype. She’s darker than my father-in-law who isn’t half white, and Indian can range from white-passing to people who in the US would get classified as black). It is hurtful when I hear her called that, because it is dehumanizing. Food is exotic when it’s not what you’re used to, but it’s plain old everyday food to the people who live there. Same with the weather, the flora and fauna, and facets. You can describe how alien the environment is to your MC without using the word “exotic.” Do better.
  • Do not use stereotypes about countries. When talking about Singapore, it’s cheap to just say gum is banned. Note that having the trains run on time is key in a city that largely depends on public transit (cars are six figures plus another six figures in taxes), and that when people kept putting gum over the sensors, the doors weren’t closing properly and the trains got all fucked up. The easiest solution was to prohibit public consumption of gum–you can bring gum into the country from abroad (and abroad is a 30 minute drive into Malaysia, for example), and you can purchase smoking cessation gum with a prescription, but you can’t chew it in public. Talk instead about how complex the city state is–there are giant parks to protect the natural flora and hence fauna, there are sky scrapers, there are wet markets where you can buy live frogs/halal meat/fresh fruit/etc, there are diverse neighborhoods, and vast economic disparities. Even books like Crazy Rich Asians, which portrays life in Singapore is rife with its own problems–like ignoring non-Chinese characters–Singapore is incredibly ethnically diverse, but only Chinese people figure in CRA. DO YOUR HOMEWORK
  • Do not use racial or language cues as shorthand. Darany in Capturing the Moment does not speak perfect English. But his English isn’t broken either. This is a bit of a departure from real life as my drivers’ English was not as solid as Darany’s, but using broken English to show that someone isn’t a native speaker is cheap and disrespectful. Keep in mind that due to class or history, some people in Southeast Asia *are* native English speakers. English is the main language in Singapore. Parsis in India speak English as a first language. Wealthy families throughout SE Asia may speak English as a first language, or speak it fluently enough to pass for a native speaker. Darany is from a lower class, so his English is not perfect, and doesn’t include idioms that he wouldn’t know, but it’s not broken either.
  • Don’t forget that there is significant history in SE Asia. Colonizers like the British left their mark (especially see places like India/Pakistan, and Singapore/Malaysia) and is why English plays a bit part in the lives of SE Asians. The Japanese occupied a lot of SE Asia and the oldest generations remember what it was like to live through that occupation. When Lee Kuan Yew died, the entire country went into mourning because he was the founder of Singapore–the country is only just over 50 years old but at the same time, some institutions and history predate the independence by hundreds of years. History will play an important part of your story. I mention the civil war in Cambodia briefly because there are places like Artisans Angkor which uses the funds generated by the sale of handicrafts to train young people in the art forms that were almost lost because of the civil war. So even the existence of a store can mean some within it’s historic context.

None of this is meant to discourage you from writing about Southeast Asia. It is a wonderful part of the world in which to set a story. You don’t have to visit it to write about it. But you do need to do your homework and stay respectful.

When a story isn’t yours to tell

Every writer fails, and we all have story(ies) that go unfinished for any number of reasons. Sometimes they defeat us. Sometimes they aren’t our stories to tell.

I have been working on a ghost story since roughly 2002. A couple of years ago, I answered the question “What is your next book about” on Goodreads with this answer.

My novel, which I’m just calling “The Ghost Story” publicly, dates back to a Halloween contest on Literotica over a decade ago. I wrote a short story for the contest, but to my surprise the characters wouldn’t leave me alone.

I was inspired by several things–my deep love of New Orleans, my fascination with New Orlean’s unique history-especially placage relationships, and my desire to write a ghost story.

I’ve actually tried to write this story various times over the last decade, but I would inevitably get stuck and rather than keep writing I would just keep trying to make that part perfect. Things like having kids and moves also would break my momentum and I would pick up something else and put the book down again.

This is the first time I’ve tried to sit down and write it since becoming published, so hopefully this will be the time I succeed

It seems like wanting to turn my short stories into novels is a particular curse of mine (coughPlundercough).

But the point is that this story has defeated me time and time again.

Yeah, they’re vampires, but they’re hot men who “lived” in New Orleans, so it’s the best image I could find

The last iteration that I tried to write had dual timelines–one the events leading up to why there’s a ghost in the first place, and the second in modern times (2014 per my last drafts).

I think one of the problems that I keep running up against is that a key part in the historical chapters deals with plaçage, or the process by which a black girl would enter into a business relationship with an older, white man in New Orleans. There is a trope in literature called the “tragic mulatto” and I had been desperately trying to avoid falling into that trap.

As a regular person, I adore New Orleans. I almost moved there before meeting my husband–our relationship killed my plans, and New Orleans is like the lover who got away.

As someone with a degree in history, I am fascinated by the sexual history of New Orleans, because it is so unlike that of any other city. Plaçage relationships were usually arranged at or after the Quadroon Balls. Jazz came out of Storyville, the red-light district. The Black Creoles’ relationship to white Creoles, other free black citizens, “Americans,” and slaves is the subject of many historical texts, which I’ve read over the years since my first visit to New Orleans.

But there is the problem of me, a white woman, writing about a black woman’s life. In the end, I’ve decided that changing the ghost’s backstory entirely is for the best. Not because I think my original idea is bad, it’s that I’m not the right person to tell it. No amount of research will make this particular story work. I will fuck it up—with only the best intentions, but good intentions pave the road to hell for a reason.

Does this mean I’m never writing a romance with a character of color? No. I think I did Arjun justice in Capturing the Moment. I think I did the character of Saanvi justice in “Love is a Virus.” I think I can write the Lioness in the shifter novel, a black woman, with respect and sensitivity.

Plunder is set in the Caribbean, which means I can’t ignore the issue of slavery–especially given that William won Puerto Seguro (Safe Harbor) via a bet. In the current draft he doesn’t want to be a slave holder, but that doesn’t mean he doesn’t have to deal with the slaves who are part of the sugar cane plantation. They distrust him, and with good reason. He must use an intermediary to do so–in this case the man who has been like a father to him, who is also black, and therefore more trustworthy. And because this is an incredibly sensitive part of the book, and one I have a lot of potential to fuck up, I am asking my betas to go over with a fine toothed comb. My research isn’t worth a damn if I can’t write it well. Depending on their verdict, the plantation could be deserted upon his arrival on Puerto Seguro, which is a cheap sidestep, but it may be better to do that. But I’ll still have to deal with the question of slave ships, and the role slavery played in that period of time.

I have a number of beta readers who aren’t white, and they know that I won’t push back if they tell me I’m fucking something up or being a Becky. An example is that in an early draft of Capturing the Moment, I used a food metaphor in relation to RJ–that his eyes were like liquid chocolate or something. One of my betas sent me an article discussing why that’s a bad thing, and I changed it.

I think my job as an author is to remember that the world isn’t white and to include POC characters, when I can do so with thoughtfulness and respect–and hopefully without fucking it up. But it is also my job to know when to stay in my lane and not tell a story.

Moreover, it is my job to elevate the voices of POC romance authors through the purchase of their books (because money talks) and reviews of their work/recommending their work to my romance-reading friends. Can I write a book with a black character/s? Yes, I can. But Alyssa Cole, Beverly Jenkins, Rebekah Weatherspoon, Talia Hibbert, and Shelly Ellis (among others) can do it immeasurably better.

I did a boudoir photo shoot

*This is not a sponsored post. I was not asked to write this post. I received zero discounts or perks.*

I’ve wanted to do a boudoir photo shoot for a long time now. As an amateur photographer I’m fascinated by sexual photography–naked or nearly so bodies, fetish photography, the whole nine yards. I longed to be a model in one of those photos, but the voices in my head that said I’m not pretty enough or thin enough drowned that desire in a bog of self doubt. I generally hate how I look in photos, with the exception of my wedding photos (which the voices remind me was twenty-five pounds ago). But beneath all of that was a sense of inevitability.

Several months ago I was introduced to Groupon (remember, I just moved back to the US–I’d heard of it but it wasn’t as big a deal as it is now when we left in 2010). One day I was idly scrolling through offers in my area and stumbled across a discount for a boudoir photography shoot with two photos for a steep discount.

My partner turned forty last year and I turn forty next year. No matter what the voices in my head said, he has always found me beautiful.  decided to push my boundaries and do this shoot for him. Or at least I told myself it was for him.

I booked my date and because of childcare and travel issues had several months to dread and second/third/hundredth guess my decision. Initially I made up a bogus appointment to explain why he needed to take the kids one day while I went into San Francisco. I’m a terrible liar and my excuse fell apart, so I told him what was up. He was incredibly supportive and together we crafted the four looks I would shoot with.

The price of the shoot was just the beginning. I hadn’t thought about all the details.

In the months before the shoot…

I’ve had back surgery, and was told heels were off limits for me. But I wasn’t about to wear flats in a sexy shoot. I bought three pairs of heels and a pair of dominatrix boots.

I bought a new piece of lingerie.

I bought new lacy panties.

I bought a man’s white shirt as mine didn’t look so fresh, and I wanted a better fit.

Celebrate Your Sexy sent me an email to ask me questions, including how do I feel about photos of myself and what are my concerns. (Top concern–I’d hate the photos and it would wreck my fragile self esteem).

The week of the shoot….

I got my eyebrows, lower arms, under arms, and full legs waxed.

I got a pedicure and acrylic nails.

On the day of the photo shoot…

I couldn’t find one of my outfits and had to rethink an entire look. This totally freaked me out. (It was on top of my bureau so I wouldn’t lose it–which I discovered that night.)

I had my hair and makeup done.

When my stylist asked what I wanted done with my hair I said “make it look like I just had really good sex.” My straight hair was curled and teased. Since I was (mostly) going to keep my glasses on, we added fake lashes and just did some liner on my eyes. I did a blood red lip (fiery liquid lipstick from Stila–it is my go-to and the only red I’ve ever tried that didn’t look pink-y or orange-y).

All of this added up to way more than the photo shoot cost. A more secure/more cost conscious person could probably do without these extras, but this is my journey.

The experience…

I was ready about an hour before my shoot, and I sat in my car so as not to sweat my make-up off in the insane heat wave that gripped the Bay Area a few weeks ago. This gave me plenty of time to contemplate if I wanted to take anxiety medication.

I drove to the location of the photo shoot with a carry-on suitcase full of clothes/shoes/props and texted the photographer that I was downstairs.

The photographer immediately put me at ease. We talked through my outfits and shoes. She let me plug my phone in and put on a playlist (regret–should’ve had a better playlist as it wasn’t something I’d really thought about or planned for). We talked about my props and which outfit they went with, etc.

We set up my four outfits, and I changed into the first one–a sexy red dress with red heels with a matching black lace bra and panty under it. The photographer started me off on the bed, moving the lights and herself around me. She walked me through poses, and told me to tell her when something was just not okay for my back or any other reason. Some poses were indeed uncomfortable, and I gained a small appreciation for what it must take to create ads and layouts in magazines (apart from photoshop).

My second outfit was a turquoise bra and panty under a white men’s shirt and black heels. I posed with a copy of Capturing the Moment. I wished I’d brought my own laptop, but the photographer lent me hers. I’m hoping I like one of these photos so I can use it here on the site.

My third leaned hard into kink. A nightie with a vinyl/pleather breast bra top, black lacy panties, and dominatrix boots that on my five foot two/three inch frame went nearly into my vagina. I posed with a riding crop with a sparkly handle and one with a heart-shaped surface.

My fourth? Mesh with nothing under it and black heels. I should have felt self conscious or uncomfortable, but by that point I felt comfortable with the photographer, with my body, and most shockingly–with the camera.

The photos…

I’m seeing them on Friday. I wanted to write about the experience before I saw them, and then I’ll write another entry about that experience.

Final thoughts…

I had such a positive experience that I volunteered to model in a plus sized lingerie show next month. It was a safe space.

After the shoot they give you a pamphlet with next steps and it’s not until you reach that point that you learn the ridiculous per photo costs. However, this seems to be a standard thing in the world of boudoir photography. So the selection process will be brutal, or at least I hope I like enough of the photos for it to be a difficult decision.

I’d definitely recommend Celebrate Your Sexy if you go into it knowing the photos are really expensive. They shoot all over the US.

Here’s hoping that I’ll have an excellent Friday morning.

I write sex books

My older daughter, Athena (not her real name) in her first week in an American school made a new friend. The friend’s mom was volunteering for playground duty, and upon meeting Athena asked her what myself and my husband did for work. My husband’s job is innocuous–he’s a programmer.

“My mom writes sex books,” Athena tells her.

Fast forward to last week. I meet the mom for coffee–it’s my first time hanging out with her and I’m hoping to make a good impression. The story comes out after I said I write romance novels.

I am mortified.

That afternoon I shared what I’d learned with my daughter, and asked why she’d said that. I wasn’t angry with her, I just wanted to know why.

“That man is naked on your cover. He’s not wearing a shirt.”

She means RJ.

I asked her what she thought sex was.

“I don’t know.”

Cue my buying Sex is a Funny Word from Amazon, and asking her to say I write books, or I write romance books instead of sex books.

My friends have found this whole story hilarious. I am moving from mortification to amusement as well.

Exciting news

Capturing the Moment

Capturing the Moment

Exciting news #1–Capturing the Moment is now on sale as a paperback.  You can buy it here.

happy

Exciting news #2 is that I’ve had my first acceptance of 2107. I’m very excited to share more about this anthology when the editor gives the ok.

beta reader kitty

Finally, we have arrived back in the US after nearly seven years in Singapore. While I’m partially excited to be back, I wish it were in a different political climate. One of the things I’ll need to do is find a balance between writing and activism.

My next big project is to work on Plunder. I had some good feedback on the first draft, and although it means a total overhaul, I have faith that I can do it. When that is back in my beta’s hands, I have the idea for the start of a paranormal erotic romance series because apparently I can’t stay in my subgenre lane. I also have the plan for another contemporary, with the ambivalence of leaving and arriving in a home country that feels foreign (which is what I’m experiencing right now) with the added complication of a budding international romance.

 

2016–The Year in Review

2016
From the loss of Bowie, Prince, Alan Rickman, and Carrie Fisher (among so many others) to the political disasters of Brexit and Trump, I think we can all admit that 2016 kind of sucked on a macro level. I had two procedures (one major) on my spine and continue to have chronic pain, but at least I’m (mostly) out of a wheelchair now.

However, it’s wasn’t all bad.

Recommended Reads

I wanted to read more than I did in 2016, but I still have some year end recommended reads that I’ve reviewed this year. I’ve joined the Goodreads 2017 Reading Challenge. Follow my progress and add me as a friend here.

  • I loved Lez Talk: A Collection of Black Lesbian Short Fiction, edited by S. Andrea Allen and Lauren Cherelle. It includes two stories by one of my favorite authors, K.A. Smith. Read my rave review here.
  • Forbidden by Beverly Jenkins was so amazing, I ran out and read a ton more of her books. There aren’t a ton of authors of color in mainstream romance, and she’s possibly the best of the best. Not only are her stories well plotted, she does her homework on the history as well. My review here.
  • Basically anything by Kait Gamble (I reviewed five of her books here, but I read even more) but if I had to pick a favorite, it would be Sins in the Sand. By the way, she just published a new book, Faking It, which I’ve bought and am looking forward to reading.
  • Basically anything by Alisha Rai (I three of reviewed of her books here, although I’ve read even more) but my favorite is Glutton for Pleasure.
  • Finally, one of my favorite reads of 2016 was Tamsin Flower’s serial novel, Alchemy XII. It opens on New Year’s Eve and continues month by month through December. (I was a beta reader for this series, and I loved every minute I spent with Harry and Olivia.)

Big Publication News

(Check out my Published Works page for a complete list of purchase links if Amazon Kindle isn’t available in your country)

 

Capturing the Moment

under-the-mistletoe

My first solo title, Capturing the Moment , and my first anthology, Coming Together: Under the Mistletoe were published and both have received great reviews!

 

Other Publication News

  • Intrepid Horizons, edited by Jessica Augustsson, included my story, Dumped. Blurb–A Unicorn’s (former) Virgin is left out as bait for a dragon, but things don’t go exactly as planned.
  • Rogues, edited by Delilah Devlin, included my story, Plunder.  Blurb–Sparks fly when the Caribbean’s most fearsome pirate falls under the spell of a sexy spitfire who’d rather send him to Davy Jones’s locker. I am working on a full-length novel version of this story, which will hopefully be published in 2018.
  • Coming Together Under the Mistletoe, edited by me, included two of my stories Kid Comet and an updated version of Baby it’s Hot Outside.
  • My essay An Expat Fourth of July was published by Long and Short Reviews.

 

Other Stuff I Wrote

  • Flash Fiction (for Wicked Wednesday) Dream or Nightmare
  • Flash Fiction (A Wicked Wednesday Top 3 story) Off Limits
  • Flash Fiction (for Wicked Wednesday) Keep the Shoes On
  • What I did for Lust, will be included in the upcoming anthology, Prompted.
  • Kid Comet, the third in my North Pole Chronicles series, was in Under the Mistletoe.
  • I further updated Baby it’s Hot Outside, was in Under the Mistletoe
  • For Love of Snow White was submitted
  • I expanded my first published story, Renewal, and submitted it
  • Lab Rats, was rejected (nbd, how publishing rolls)
  • Forbidden Territory was rejected (nbd, how publishing rolls)
  • I expanded Love is a Virus, and it was rejected (nbd, how publishing rolls)
  •  I wrote the first draft of the full length novel version of Plunder. (It sucks–all first drafts suck)

2017

My writing goals for 2017 are to finish Plunder and to write 5-10 short stories, including at least one more installment of the North Pole Chronicles.

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